In Abegail Morley’s latest work, she takes on the voices of books, paper, documents, photographs and characters to create and curate a dystopian archive.
‘These are claustrophobic poems about degradation: of matter, the body, relationships, knowledge, and the certainty of words. In the underworld of the archive, Morley aims to ‘complicate the darkness.’ Her poems work as preservation techniques to ‘recall the names of those I’ve hoarded.’ Morley knows how to grip her readers’ attention and destabilise certainties in intriguing ways. In the Curator’s Hands is disturbing, intelligent and absorbing.’ Heidi Williamson
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